Sunday, April 6, 2008

2001: A Space Odyssey


Quote of the day:
“Believe those who are seeking the truth. Doubt those who find it.”
--Andre Gide

Today is the 40th anniversary of the release of “2001: A Space Odyssey,” one of the most influential, important and controversial movies of all time.

When it came out, there was a huge buzz about the film, and people flocked to it. Many of those people came out of theatres shaking their heads and saying “huh?”

Stanley Kubrick’s “2001” is rightly celebrated for its groundbreaking special effects. But its plot and narrative style are highly unconventional and will always leave a lot of people baffled or bored.

There’s been a ton written on the movie’s possible symbolism and meaning, including in this very long but entertaining exchange. In other places, critics and viewers, while admiring the special effects, have been skeptical about the film itself. It’s been dismissed as ponderous, pretentious and opaque.

I saw “2001” shortly after it was released. I was amazed by the visuals, and blown away by the music. But I had no idea what it was about.

In the 1980s Merrie and I rented the VHS and watched it on our 19-inch RCA TV. We were bored out of our skulls--we turned it off before it was over. We realized much later than the film depends on both the immensity and subtlety of its visuals and its soundtrack. Thus it is impossible to grasp on a small grainy screen with a tinny-sounding speaker.

In truth, “2001” is a great work of art. Think about it. All great works of art are both highly affecting and subject to ongoing interpretation. Rarely do artists explain what their work means, once and for all.

I think it’s clear that the film does contain allusions to both Nietzsche’s “Thus Spake Zarathustra” and Homer’s “Odyssey.” Kubrick points to the former by using Richard Strauss’ “Also Sprach Zarathustra” as the movie’s theme. As for Homer, “Odyssey” is part of the movie’s title, so that’s not exactly a stretch.

A key to the film is that the dialogue is sparse and banal. That’s because the movie is not about our relationships with each other.

What is “2001” about? I’m not sure anyone can say definitively. Sure, it’s about our relationship with technology. But it’s also about our relationship with everything else.

To me, it is about the scope of human life and development in the context of an incomprehensibly vast universe--a universe so vast that it contains other lives beyond our imaginings.

It’s the hugest theme possible for a movie.

2 comments:

Anonymous said...

I don't think I've seen this movie since I first saw it in high school when it was first released, but some scenes and the music have stayed with me. I think you're right that viewing it on a small screen just doesn't work with a movie like this. By coincidence Bob Plimpton is writing the Minister's Musings for the FUMC newsletter next week and his given title is "Also Sprach Zarathustra." I'm curious to see what he's going to say on this theme.

Craig Dorval said...

I'll be curious what he has to say, too! If you have the chance to see "2001" in a good movie theatre, go for it. It holds up incredibly well, and it has enduring relevance. We saw it back in 2001 when they released it to theatres again. It was terrific. Kubrick's images are stunning--as they are is every one of his films.